نشریه پژوهش های ادبی و بلاغی
سال دوم شماره 1 (پیاپی 5، زمستان 1392)

Bidel Dehlavi، is one of the proficient and prominent figures in Hindi Style who along with other forerunners in Hindi Style like Kalim and Saeb was under the common influences like thought fluctuations، loss of psychic and spiritual balance، exposition to various situations، loquacity and ignorance vertical core of couplets. Influenced by mentioned factors، he tries to achieve new meanings and new themes or literally said «strange meanings» through contradiction in mythical، historical، religious and literary subjects، surrounding environment and phenomena. By contradiction in Hindi Style poems، we mean in the way of creating new themes and avoiding cliché and one-dimensional common themes in Persian literary form (Iraqi style)، the poet deconstructs and defamiliarizes prior verse traditions and creates unique subjects with two contrastive meanings (positive & negative، objection & praise). The researcher in this paper has extracted contrastive meanings and themes in Bidel Dehlavi poetry and discussed it alphabetically using other Hindi Style poets’ poems where it’s necessary. The purpose of the study is the determination of contradiction and contrastive meanings and themes in the context of Bidel Dehlavi poetry. The result showed the plentiful application of contradiction in Bidel’s Poetry under the influence of named Hindi style poets is in the highest degree

Combinations of words and images to make the link with art and music and language، the poet''s mind in the world of poetry exhibit. Analysis of the images created by each of the poets، determines the kind of attitude they have towards the surrounding. The role of expressive arts and literary schemes and imagery in order to create these images، it is undeniable and important. Described، including original art infrastructure industries rhetorical eloquence that is more like a metaphor، drawn from the imaginative mind of its creator، has recently developed a range of simple and will take repeat. In this paper، we want to put the axis at sub categories to describe and explain the role of image interpretation، of Persian poetry and show what a picture، although repetitive، makes eminent The Phantom of the poet for it، what is the image of the superstructure and the substructure. The frequency and Multiplicity of meaning like it، because it''ll be faced with multiple interpretations and meanings of images are downloaded. So the hermeneutic stance in poetry، commentary and interpretation of the same text in literature، when we face in an image with some semantic aspect. Not at all like the simile and metaphor and symbol of duality in the sense of different angles given that some space is different from other cases dealing with an image، will a multi interpretations follow.

In 1920 Vladimir Prop published the theory of morphology by which he helped the tale researchers around the world. This theory offered practical and scientific ways for researchers to study folktales. In this way، the researchers studying folktales find specific patterns that are the same in all tales. These patterns show how organized are the folktales. Each tale consists of parts such as characters، the way they enter the tale and their practice. This organization is repeated in all the tales. But the remarkable point is how the narrator uses the real world’s elements this organized، telling these stories. For instance there is a hero in all tales، but the point that who the hero is and what he or she does depends on the look of the narrator and the society to which he or she belongs. The aim of this article is to study tales in a morphological manner. The tales that are chosen to be studied for this article were told in 4 different counties of Iran including Eastern Azerbaijan، Western Azerbaijan Ardebil and Zandjan. One hundred tales were chosen randomly. Studying the structure of folktales and the way women are illustrated in these tales، patterns will be found that can be used to find out the role of them in the society.

Memories، as a result of unconscious behavior nostalgic look، the content and style of expression poets، poets influenced by many factors and that they feel stronger، have more rise. It features poetry prince، contemporary Iranian poet، and Sayyid Qutb، an Egyptian writer and poet، is almost identical to the expression and a result of various factors including those that are socially organized to inappropriate conditions and political، homesickness، loneliness، pain and suffering، emotional noted. Back childhood passion and love for the world beyond the common sense of the results of the two poets'' poetry is abundant. This paper analysis - descriptive، inter common cause of nostalgic flashbacks of the two singing the song is a contemporary review. The result of this study،، idea of reaching common ground between the poet and the way to do comparative research in this area will open in.

Assistant professor of Arabic language and literature in Payam Noor University Contemporary poetry has given priority to social issues on its theme. In this regard، it presented some great poets to history. These poets attempted to develop the image of social issues and solve the social problems. Kaiser Amin pour is one of them. social issues was major concern of Amin pour therefore he composed several poems about this issue. in this research we investigate the reflection of social issues on poem''s of this great poet of Islamic revolution. the method which is used in this research is both quantative and qualitative. The results of investigation show that although Amin pour always was loyal to Islamic revolutions thoughts but during his art life he changed his idea to greater goal i. e. freedom of all human kind. The trace of this new idea is obvious in his recent poems.

This paper examines the properties reflect the «heart» on the theory of conceptual metaphor in language، Farsi and Ukrainian linguistic evidence using this approach، for the first time was introduced in 1980 by George Lakov and Mark Johnson has been studied. Based on the analysis of conceptual metaphor with the word «heart» and is available in two languages، the similarities and differences in the heart of Persian culture and Ukraine were diagnosed. This paper examines the properties reflect the «heart» on the theory of conceptual metaphor in language، Farsi and Ukrainian linguistic evidence using this approach، for the first time was introduced in 1980 by George Lakov and Mark Johnson has been studied. Based on the analysis of conceptual metaphor with the word «heart» and is available in two languages، the similarities and differences in the heart of Persian culture and Ukraine were diagnosed.

Indubitable Hafez''s poetry is resemble to prism in which we are looking at will be appeared a bravery of his poetry. This differences expression in all dimensions of Hafez''s poetry is observable. In this article by survey the history of suggested significances of demonstratives and Hafez''s exponent it is attempted to reply to this question that”kharabat maga” in Hafez''s poetry based on the others saying means bar absolutely or in other meaning that is” Zoroastrian temple”. By considering of explanation in Hafez''s poetry and survey of”kharabat magan” in his poetry we are going to conclude that”kharabat magan” in ironic meaning refers to bar or the location of vice but basically by the existence of documents which are existed in context one of the meaning is” Zoroastrian fire temple” which in its structure، Zoroastrian were affected by Mehri''s temple so that they didn’t allow sun shine on the fire and Hafez consciously notice such issue and has included it in the early of his poetry.

Eshteghal subject in Arabic consist of that a noun foregos and aftar acting comes that acts in the regarding pronoun to that noun. Although the similar subject to arabic eshteghal has not been considered in persian grammar resources but similar to this application exists in persian too، it means a noun comes in beginning of sentence and after a verb stands that a pronoun is connected to that verb and antecedent is said noun. According to existent dissension between grammar،s author in syntactics absorbency of such sentences، eshteghal،s place and similar application in Persian grammar and rhetorical action has been specified in this article by cheking of genera of connected pronoun to verb that its antecedent is came in sentence - especially in literary context، also in Qran،s translation.